Front in the Graffiti War


By JESSE McKINLEY
Published: September 17, 2006
SAN FRANCISCO, Sept. 16 — One of the most wanted men in San Francisco — if he is a man — has no known name, no known mug shot and one very efficient sticker machine.

Jim Wilson/The New York Times
A $2,500 reward is offered for the person behind the “BNE” stickers.

For several months, the police say, someone has been plastering the city’s walls, public phones and newspaper boxes with postcard-size stickers reading “BNE” in big black letters. Sometimes the stickers also have Japanese script that translates to “visit” or “come to.”

All of which makes for an amusing curiosity for pedestrians, but it has left city officials quite unhappy. In mid-July, Mayor Gavin Newsom offered a $2,500 reward for the capture of “BNE,” calling the stickers “large, unsightly, confusing and utterly inappropriate.” It is the first time the city has offered a cash reward in a graffiti case, a move that Mr. Newsom said was necessary to stop the “repetitive malicious mischief.”

The city attorney, Dennis J. Herrera, said San Francisco was suffering from a “growing epidemic of graffiti tagging” and other vandalism that dirties city streets.

“The fact of the matter is that it exacts a toll from neighborhoods in a variety of ways,” Mr. Herrera said. “It’s not just in monetary values, for cleanup, but it also degrades the quality of life for people that live there.”

Just days after Mr. Newsom established the reward, Mr. Herrera announced a $20,000 civil judgment against Carlos Romero, 20, who had been “tagging” with abandon in the western part of the city using a variety of aliases, including “Lafer,” “Coma,” “Queso” and “Cream.”

As part of the judgment, Mr. Romero was ordered to stay away from spray paint and indelible markers and received a curfew of 11 p.m.. He was also instructed to record a public service announcement for radio.

“This is a message that if you’re going out to tag, if we catch you, there’s going to be a stiff price to pay,” Mr. Herrera said.

But while Mr. Romero prepares to head to the studio, “BNE” remains at large, a fact that no doubt wears on Officer Christopher Putz, who oversees the San Francisco Police Department’s two-person graffiti abatement unit. Officer Putz, who has been on the graffiti beat since 2001, takes his work seriously; he will not allow his face to be photographed and he gives his age merely as “in my 30’s,” for fear of tipping his hand. “It’s a chess game,” he said.

The battle between graffiti supporters (who call it art) and detractors (who call it vandalism) dates back decades and spans the globe. The authorities in New York — where artists like Keith Haring and Jean-Michel Basquiat worked the same streets as those painting walls with sobriquets like Taki, Revs/Cost and MQ — have long struggled with graffiti, and continue to. A 2005 antigraffiti law is being held up in court while a federal judge considers a ban on the sale of paint and indelible markers to anyone under 21.

Officer Putz says San Francisco has also always had a place in the graffiti underworld, in part because landmarks like the Golden Gate Bridge tempt graffiti glory-seekers. “Who wants to tag some Podunk town no one has ever heard of?” he said.

Experts say the city’s enforcement efforts and economic success have dimmed graffiti’s appeal in recent years.

“In the mid-1990’s, San Francisco was one of the best cities in the world,” said Shepard Fairey, who became known in the 1990’s for his “Obey, Giant” stickers, which depicted the face of the wrestler Andre the Giant. “They weren’t cleaning things very quickly, so things would stay up a long time. A lot of writers from New York and L.A. were doing things there. But then the dot-com thing came, and the rich people came, and it got really clean.”

But “BNE” and the reward have drawn attention back to San Francisco, said Hugo Martinez, an art dealer in New York who represents a stable of veteran and up-and-coming graffiti practitioners.

“Whenever the mayor starts to get involved in a swingfest, the masses are going to come out,” Mr. Martinez said. “And he couldn’t do anything better for the graffiti writer’s career than to do this.”