City attacks graffiti quickly, before 'fnord' sets in

Copyright © 2004 Blethen Maine Newspapers Inc.

 

Laurie Thibodeau shook her head disapprovingly as she contemplated the yellow letters sprayed onto the Civil War memorial in Portland's Monument Square.

"That's awful," she said, as much unsettled by the vandal's motives as by the seemingly meaningless word itself. "The anger that is coming out in that way ­ I think a lot of it is meant to hurt other people."

This week, crews hired by the city will again break out the sandblaster and chemicals needed to scrub the latest batch of graffiti from building walls and other surfaces. It's a never-ending task as Portland officials, business owners and residents work to clean up the blemishes before they spread.

Crews of youths performing community service, under the supervision of the nonprofit group Portland West, will clean about 40,000 square feet of graffiti this year, about the same as last year. The work will cost the city about $28,000.

"I think it's kind of selfish and egocentric," said former Mayor Tom Kane, who for a decade has coordinated graffiti removal for Portland West. "I think there are many ways of expressing yourself without hurting someone else.

"What's the difference between writing 'fnord' on the hood of someone's car or taking a key and scratching it into the side of their car?" Kane said, referring to one of the graffiti "tags" that appeared in recent weeks.

Tom Fortier, the islands/neighborhood administrator for the city of Portland, is pushing a more aggressive approach toward graffiti. It would involve a combination of stiff punishment for anyone responsible, quick cleanup, and strategies for preventing it in the first place, such as educating the public about the problem and its costs.

"The more prolific taggers are responsible for tens of thousands of dollars in costs to businesses and taxpayers," Fortier said.

Police say graffiti is a public safety issue.

"Obviously, you want the appearance of a community to reflect the personality of the community," said Lt. Tony Ward, head of the Portland Police Department's community affairs team. Graffiti tends to spread, and gives a sense of disorder and lawlessness, he said.

People who spray their tag onto buildings have been caught and convicted in the past, and even though the criminal mischief charge may seem minor, if the damage exceeds $2,000 the crime can be prosecuted as a felony.

"If you deal with it at the initial stages, you confront the dissolving of a neighborhood," Ward said.

Thibodeau believes that to be especially true in a city that works hard to appeal to tourists.

She and others say that for the most part, Portland doesn't have a serious problem with graffiti.

"If the city were overrun with it, it would bother me," said Kathy Collopy, standing outside 15 Pleasant St. where the landlord has just applied a fresh coat of cream-colored paint to cover a hastily sprayed word. The simple printed letters, which also appeared on other nearby walls, seem pointless to her.

"If you're going to do it, you should do it creatively," Collopy said.

The city avoids the serious graffiti problems of other urban areas by moving quickly to keep the problem in check, Fortier said.

"Graffiti that's not removed invites further disorder. It just sends a message of chaos and disorder," he said. "If we decided one day we did not have the commitment or resources to continue, it would be a problem."

Gazing at the city's Civil War monument, illuminated by a crisp morning sun, Thibodeau was puzzled by the latest batch of graffiti ­ the word "fnord" spray-painted in quick, simple lines. She figured it might be a nonsense word like some of the others that have appeared.

It may well be, though the word does have a literary connection. According to free-definition.com, "fnord" was initially used as a nonsense word in the book Principia Discordia. It was later adapted in a book about a global conspiracy in which the word had a subliminal, hypnotic effect on readers, giving them a feeling of uneasiness and confusion though they could not consciously see it.

Most people probably have no clue about the reference, but seeing it clearly does provoke unease.

Sean Hamel, 53, likes the mural-like graffiti that decorates sanctioned walls like the back wall of the Asylum nightclub. Graffiti where it shouldn't be is bothersome.

"It's disrespectful and disgraceful if you ask me . . . on a monument especially. It just ain't right," Hamel said.

Some of the city's more industrious taggers have sought ways to get more and longer-lasting exposure by spraying their calling card high on the walls of multistory buildings.

"You look around and we really have done a good job of eradicating a good amount of it," Kane said. "What we've done is driven them to the rooftops because it's a little harder and more expensive to get rid of that."

That can pose problems for the taggers, too. Fortier notes that an elderly man spotted a group painting high on a Congress Street building wall on a recent evening. After upbraiding them for their mischief, he followed up by taking their ladder.