New rules new limits on expression at Graffiti Wall due to complaints
BY VINCE ECHAVARIA
(Created: Thursday, May 31, 2007 10:01 AM PDT)
As the Venice Beach graffiti walls enter a new era, the man who has helped
curate the walls throughout the decade says that new rules should open the door
for more exceptional art to be displayed.
A transformation is about to take place at the graffiti walls, which stand in
the background of the Venice Beach Boardwalk near Windward Avenue, as new rules
are set to take effect Sunday, June 3rd, limiting painting on the walls to
daylight hours on weekends and holidays only and requiring artists to obtain a
permit.
With the enforcement of the new curating program, the graffiti walls will be
renamed the Venice Public Art Walls.
The changes have come in an effort to help preserve the walls and settle
residents' concerns regarding graffiti vandalism occurring away from the walls
in the community, says Stash Maleski, director and founder of In Creative Unity
(ICU) Art, a Venice-based art production company that has served as curator of
the walls since 2000.
In Creative Unity Art will mark the implementation of the new regulations, which
are part of a six-month pilot program, with a Paintout event scheduled between
10 a.m. and 7 p.m. Sunday, June 3rd, at the graffiti walls, ocean end of
Windward Avenue in Venice.
The event will include DJs playing hip-hop and reggae music, and various
vendors. Throughout the day, In Creative Unity Art representatives will discuss
the new rules and curating program.
Maleski expects the curating program for the walls to be more formalized, with
supervisors in the area who will interact with the artists, and while there may
be fewer artists painting due to the restricted hours, he says there should be
better quality art.
"I think the quality of the artwork is going to go up," Maleski said. "You'll
see really beautiful pieces, hopefully staying up for a longer period of time."
This is possible because in order to paint on the two large graffiti walls at
the site, artists are required to obtain a permit, which they may receive only
if they have a crew of at least three people and submit a sketch detailing their
plans, Maleski said.
The last paintings to go up on Sunday afternoon will remain on the walls until
the following Saturday — a main benefit some artists will see with the program,
he said.
Prepared sketches are not required for those wanting to paint on the two cone
structures at the site.
Permits, which can be obtained from In Creative Unity Art, will be issued free
for one day and must be worn in view at all times.
Artists must be 18 years of age or older to paint, and no designs can contain
hate speech, pornography, gratuitous violence or pro-illicit drug references,
according to ICU Art.
The walls will be closed for painting on weekdays and will be patrolled by the
Los Angeles Police Department (LAPD), park rangers and city Department of
Recreation and Parks staff. Violators will be ticketed by the LAPD.
Program coordinators said signs specifically outlining the regulations will be
placed near the graffiti wall.
In response to resident complaints regarding increased graffiti vandalism in the
community, In Creative Unity Art and representatives from Los Angeles City
Councilman Bill Rosendahl's office worked with various community stakeholders
and Department of Recreation and Parks staff to ensure not only that the
vandalism problem is handled but that the art walls are continued, Maleski said.
"We're trying to keep these walls here and mitigate any negative impacts they
may have on the community," he said.
Mike Bonin, chief of staff for Rosendahl, said, "I think the whole rationale
behind this was to improve the quality of art and protect the neighborhood from
vandalism."
Another focus of the rules is to try to reduce the number of people painting on
the walls, which are known to graffiti artists around the world, Maleski said.
He added that with so few walls available, the site has become overrun because
of the high demand by artists to paint there.
The changes have also been pushed to help revive the curating program that was
put in place in 2000, when the art walls were dedicated as a legal graffiti
painting site, program organizers said.
Some of the regulations under the original curating program had faded in recent
years, which program organizers said apparently led to increased vandalism in
the community.
By limiting the amount of painting on the walls and enforcing specific rules,
Department of Recreation and Parks officials say they are hopeful that the
program will help reduce the problems of community vandalism.
"It's going to help control graffiti in the neighborhoods, we hope," said
Valerie Punzal, Recreation and Parks Shoreline District supervisor. "We're
hoping that with specific times, and needing to have approval of the art before
it goes up, as well as having someone down there monitoring, that it will curb
the graffiti."
Some young graffiti artists have expressed frustration with the new rules,
saying their time at the walls will be further limited now that they can come
only on the weekends. With fewer opportunities to paint, there could be conflict
among the many artists who want a space, some artists say.
Others said they were not approached for input before the rules were created and
didn't see a need for the changes, including the permit requirement.
A main concern for some seemed to be that the rules will make it harder for them
to use one of the few places in Los Angeles where they can practice their art
freely.
While some artists may have trouble adjusting to the regulations, Maleski said
he expects most of the older, more experienced painters who frequent the area to
support the program.
"I hope the artists support it, because it's for them," he said. "That's why
we're here.
"If they do, then I think it'll work."
Information on the Venice Public Art Wall program, www.veniceartwalls .com/.
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Reader's Comments:
Max Berry wrote on Jun 11, 2007 9:55 AM:
" As an artist, I think making these walls harder to paint on is a decision
based on limited understanding and total ignorance of Graffiti Artists and
writers. Every time I read something about the legal Venice walls, it always
says the same thing, that this is a way for more experienced artists to show
their talent. But if that's the biggest reason, then it's a mistake. If there
aren't legal walls for younger artist/writers to practice on, how are they
supposed to get to the same level as the older artists like Eric Walker a.k.a
Cre8 that are doing the big and pretty pieces.The younger writers will resort to
doing all their art illegally, will not grow as much as artists/get better, and
will not even have a choice in writing on the Venice Public Graffiti Walls
because they are under 18. And about the people complaining about graffiti in
their neighborhoods, you are winers, creating a problem that is not there. You
never thought that the graffiti in "your" neighborhoods was from writers in
"your" neighborhoods. The writers that come from outside venice,go to the
boardwalk, write on the walls, hang out at the boardwalk and go home, not even
realizing that there is another part of venice, so how can they do graffiti in
"your" neighborhoods. Graffiti in Venice has been here since the early 70's,
when Venice was too dangerous and dirty for you to call "your" neighborhoods,
learn your history, especially the history about the city you wouldn't move to
until it was "hip" and "artsy". "